Please forgive me if I geek
out here a bit. James Reasoner has been a pretty constant presence in my life
for the past twenty years, even though I do not know the man. I’ve read his
books for about two decades. I’ve spent a lot of time inside the wonderful
adventures he brings to life. Sometimes I’ve read him without even knowing (he’s
published under a variety of pen names and house names). That’s why I was
thrilled to receive the chance to interview James for this latest blog entry. If
there is a more prolific author currently writing, I do not know of them. As you’ll
see below, Mr. Reasoner stays pretty busy. In addition to writing for others,
James started Rough Edges Press a few years back. I hope you enjoy reading this
as much as enjoyed hearing from James and learning a little more about his
process. Without further ado…
Ryan:
I'll start from the beginning. How long has writing been your full-time job?
James: Since February of 1987,
so it's coming up on thirty years. There was a stretch before that, 1981-83,
when I was also writing full-time, but then for the intervening four years I
owned a couple of used bookstores and ran them in addition to writing.
Ryan:
Does it come in waves? I mean, are there months where you think, "I better
polish up the ol' resume because it's slowing down"?
James: In recent years I've
had contracts lined up for quite a while in advance (the last due date on my
current contract is February 2018), but there were many times in the past when
we were living from contract to contract. One year I had what I called my
"Longarm summer" because I wrote three Longarm novels back to back,
getting a new contract for the next one as I turned them in because I didn't
have anything else lined up. Then some other jobs came through and I went back
to having three or four—or more—books under contract. I think it's been that
way ever since.
Ryan:
At this point, do you even know how many books you've authored?
James: The current work in
progress is novel #340. I've also written one non-fiction book (DRAW: THE
GREATEST GUNFIGHTS OF THE AMERICAN WEST).
Ryan:
What is your daily routine? Do you work five days, six or seven days a week?
James: I've never been a
write-every-day sort of author. I'm pretty consistent, though, about doing
fifteen to twenty pages a day, five or six days a week. Sometimes, depending on
where I am in a book or what my deadlines are, I can do more. For example,
earlier this week I wrote 32 pages one day and 37 the next. But I was at the
end of a book and trying to finish it, so that always speeds me up a little.
Because I started writing back in the Seventies, long before computers, I still
keep track of my output in terms of pages rather than words, although I do know
that I've written more than a million words a year for eleven consecutive years
now and approximately 25 million words in my career.
Ryan:
Do you like the changes e-readers like Kindle have brought to the industry?
Does it excite you or do you miss the old days?
James: I love the rise of
e-books as both a reader and a writer. I like the adjustable fonts on my
Kindle. I like being able to make notes and do some editing on the Kindle. I
like being able to write whatever I want and get it out there to the readers.
However, I'm what they call a hybrid writer. Most of my work still goes through
traditional publishers. I have some nostalgia for the old days, but that's all
it is. I wouldn't want to go back to writing on a manual typewriter (although
sometimes I do miss it).
Ryan:
Is there any genre you haven't written in? That might be easier than asking all
the ones you have!
James: I've never written an
actual science fiction novel or a literary, mainstream novel. I have parts of a
few SF novels done, though, and expect to finish them eventually. Literary
fiction (which I consider a genre, too) is probably not in my future.
Ryan:
I love your westerns! Do you think there's enough up and coming authors to keep
the genre going?
James: Oh, sure! A lot of
people love to write Westerns. I don't believe they'll ever be as popular as
they once were, but Westerns aren't going away, at least in my lifetime.
Ryan:
Speaking of keeping going...will you ever pack it in or will you write as long
as you're able?
James: I plan to keep writing
as long as I can. In recent years I've started to think about slowing down a
little and writing, say, half a million words a year instead of a million. I'd
almost feel retired if I did that, I think.
Ryan:
Any regrets about starting Rough Edges Press?
James: It's been more
time-consuming than I thought it would be, but I wouldn't call that a regret.
I've really enjoyed being able to publish some excellent books that might not
have found a home otherwise.
Ryan:
Do you prefer your own publishing to working for others?
James: As I said above, I'm a
hybrid author. I've been part of the traditional publishing world for four
decades and feel comfortable there. That said, I really do like the freedom of
self-publishing and wouldn't want to give that up, either. If my traditional
contracts went away (I hope they don't!), I'd just keep writing. At this point,
what else am I going to do?
Ryan:
What advice do you have for the wannabes and aspiring authors like me out
there? What's one thing you know now about writing or publishing that you wish
you would have known in the beginning?
James: I'd say the answer is
persistence. Get the stuff written and out there, whether it's self-publishing
or submitting to traditional and small press publishers. I once read that the
definition of a writer is somebody who sits in a room and types for thirty
years. That's pretty much the truth, although for some of us it's been
considerably longer than thirty years. During my first stint as a full-time
writer, though, I just didn't work hard enough at it. That's why I had to go
into the bookstore business for a while. I didn't really know any better,
didn't have the self-discipline to do the amount of work necessary. Everyone
has their own natural pace, of course, but I think you have to push yourself in
order to find it.
Ryan:
Were there any authors who mentored you? How did you break into the business?
I started writing stories for
my own enjoyment while I was in elementary school and continued on through
college. That was when I started submitting short stories to various magazines.
I never sold any and had almost given up on writing when I got married. My wife
told me that if I really wanted to be a writer, I needed to work at it (see the
above answer!) and so I started sending out short stories again. One of the
magazines I submitted to was MIKE SHAYNE MYSTERY MAGAZINE, which was edited by
an old writer/editor from the pulp era, Sam Merwin Jr. Sam never used
traditional rejection slips, at least with me. When he sent back a story, I
always got a personal note with it, scrawled on whatever scrap of paper was
handy. He explained why he was rejecting the story and suggested ways to
improve my writing. This went on for a while, and then I got a rejection from
him saying that if I revised that particular story in line with his
suggestions, he would buy it. I did, of course, and he wound up buying that
story, but in the meantime he accepted another one without any revisions. I had
sold one story before that, to one of the true confession magazines, but I
consider my sales to MSMM to be the real start of my writing career and have
always been grateful to Sam Merwin Jr. for all the advice he gave me. A couple
of years after that he asked me to write some of the Mike Shayne stories in the
magazine under the house-name Brett Halliday, and that was a big step in my
career too. Not to mention, I love the connection with the pulp era!
I want to thank James Reasoner
again for taking the time for this interview! Check out Rough Edges and Mr.
Reasoner’s excellent blog! As for me, I’m going to take the above advice and
get busy writing!
The end of one year and
the start of another usually signals awards season in the film industry. Long
story short, it’s the time of year when the studios roll out their Oscar contenders.
It’s also when most of the movies I don’t care about are released. I’ve never
forgiven the Academy for their Smokey and
the Bandit snub back in ’77, so I generally boycott the ceremony. But, that
won’t stop me from handing out a few awards myself. So, let’s talk Western
gunfights. It isn’t an Oscar or Golden Globe category, but it sure should be.
